I think it's very easy to write off the photographs before knowing what the photographer's aim was behind it. And it's interesting because as I sat there, I realised that though the photographs might look cliché, the meaning behind it was not. This is why I liked doing the pecha kucha's, because I felt like everybody had something to say that might not be obvious. It was even more interesting to hear the critiques, because meaning that was derived from others seemingly formed the photograph.
All in all, I enjoyed shooting what I shot. I think if viewers were to look at it, without any explanation, would seem to be redundant, but the concept or idea behind it is sometimes more important. And I think that is crucial, especially in landscape photography, when most would shoot things that are not exactly detail oriented. It's easier to look at something focused and derive meaning because you are essentially seeing the artist's point of view (it's so focused that it has to be that!) But with something vague, meaning can be lost in the big picture and that might be why I have always struggled with understanding landscape photography.
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